10
May 2019

Fogg Lighting Style Guide

“When I walk into a lighting store and look at fixtures online, I am literally dazzled by the options. How do I zero in on the best styles for my home?”

Lighting provides an obvious and important function in the home, and we spend a lot of time advising clients on the proper size and placement of fixturesthe best-performing bulbs, and how to combine different types of lights to create a flattering glow while ensuring you can see what you’re doing. But as anyone who has ever marveled at a chandelier like the one above knows, lighting can also be a heck of a lot of fun. Designers frequently refer to pendants, sconces, and lamps as the “jewelry” in a space. Like a statement necklace or pair of glittery earrings, an eye-catching fixture can transform your ensemble. As for which accessories your rooms should “wear,” we’ve pulled together looks to suit a range of tastes.

Transitional

Bridging the gap between classic and contemporary, transitional fixtures match familiar materials and forms with a streamlined sensibility that works with any decor.

Modern Farmhouse

Simple shapes paired with a vintage and/or an industrial vibe — think hand-blown glass and matte metal — are the hallmarks of the popular modern farmhouse look.

Contemporary

Sleek and unexpected are the watchwords when it comes to this sky’s-the-limit style, which encompasses silhouettes ranging from organic to futuristic.

 

12
Apr 2019

Tips (and Task Lights) for Aging Eyes

Q: As I get older, I’m finding it harder to see when I read or do other simple tasks in my home, even with my glasses on. Can you suggest some lighting improvements that might help?

A: When I was a teenager, I used to kid my father because he could not read menus in dimly lit restaurants. Now that I’m in my 70s, I realize how insensitive that was! As we age, our pupils actually get smaller, so less light makes it to the back of the eye. Many people start noticing changes in their vision around age 50 and, by the time you’re my age, you need about three times as much light as a 25-year-old does to read and perform fine-motor tasks. In addition to more wattage, older adults need glare-free illumination that is consistent from room to room, since moving from a low-light space to a bright one can be disorienting.

At Fogg Lighting, one of the things we try to educate people about is the concept of layers of light. Basically, you need a mix of light sources at different levels to create a properly lit space. We generally establish a first layer of ambient illumination in a room using decorative fixtures such as a chandelier, pendants, or semi-flush or flush-mount units. Accent and task lighting — typically some combination of well-placed recessed or track fixtures, sconces, under-cabinet units, cove lights, and table and floor lamps — fills in the shadows and helps you see what you’re doing. Contrast this scenario with one in which recessed fixtures are the only light source, as is sometimes the case in hallways. Used on their own, these units create pockets of light and darkness that make the area difficult for seniors (and toddlers!) to navigate.

For reading and other activities, it’s important to have a dedicated fixture that can accommodate the equivalent of a 100-watt incandescent bulb. Choose an opaque shade to reduce glare and an articulated arm if you want the option of shining the light onto a book. Here are a few of my favorite products.

These dimmable lamps by Holtkotter have transitional shapes and efficient halogen bulbs. Adjust the height of the floor lamp and move the arm to direct light where you need it.

For a more modern look, I love these sleek LED fixtures by Koncept, which are dimmable, adjustable, and work well in tight spaces.

Want more information? We are trained to design lighting plans that will see you through the aging progress. Stop by our store for a free consultation tailored to your specific needs.

25
Apr 2013

New York Times Article About the Future of Lighting

The following is a re-print of an article thta appeared in the New York Times yesterday. It illustrates how the dramatic changes that lighting will undergo in the near future.
 
April 24, 2013

New Technology Inspires a Rethinking of Light

By

AFTER the joy of the birth itself, parenthood sometimes brings the unwelcome news that a newborn has jaundice and must wear goggles and be placed under special lights. Imagine how different this experience might be if there were no goggles, just a warm blanket covering the tiny body, a healing frequency of blue light emanating from its folds.
That comforting scene, already a reality in some hospitals, is evidence of the fundamental rethinking of lighting now under way in research labs, executive offices and investor conferences. Digital revolutionaries have Edison’s 130-year-old industry, and its $100 billion in worldwide revenue, in their sights. Color, control and function are all being reassessed, and new players have emerged like a wave of Silicon Valley start-ups.
“This is the move from the last industrial-age analog technology to a digital technology,” said Fred Maxik, the chief technology officer with the Lighting Science Group Corporation, one of many newer players in the field.
The efforts start with energy efficiency and cost savings but go far beyond replacing inefficient incandescent bulbs. Light’s potential to heal, soothe, invigorate or safeguard people is being exploited to introduce products like the blanket, versions of which are offered by General Electric and in development at Philips, the Dutch electronics giant.
Innovations on the horizon range from smart lampposts that can sense gas hazards to lights harnessed for office productivity or even to cure jet lag. Digital lighting based on light-emitting diodes — LEDs — offers the opportunity to flit beams delicately across stages like the San Francisco-Oakland Bay Bridge — creating a light sculpture more elegant than the garish marketers’ light shows on display in Times Square, Piccadilly Circus and the Shibuya district in Tokyo.
“Up till now we only thought — do I have enough light to see, to clean my room, to cut a diamond?” said Ed Crawford, a senior vice president of Philips Lighting Americas. “Now it impacts what I do, how I feel, in emotional ways.”
In the United States, lighting consumes more than 20 percent of electric power generated each year; the Energy Department says LEDs can cut consumption by up to 80 percent. LEDs — also called solid-state lighting — are already a $12.5 billion business worldwide, according to analysts at the research firm Strategies Unlimited in Mountain View, Calif.  A 2012 McKinsey report estimates LEDs will be an $84 billion business by 2020.
But there is an obstacle or two facing the LED revolutionaries. One is existing modes of lighting: Edison’s screw-based socket, the office’s fluorescent ceiling tubes, and metal halide or sodium lights in parking lots are not going away anytime soon.
Another hurdle is public wariness after the environmental exhortations of the 2000s, which led to much-disputed federal legislation to phase out the old incandescents, often in favor of compact fluorescent bulbs. In pursuing their goals, advocates played down problems like the harshness of fluorescent light, and difficulties with dimming the bulbs and dealing with the toxic mercury they contain. Now, some lighting scientists say, both consumers and investors are leery of buying into something they suspect might be substandard.
Another powerful force for continuity is the psychological legacy of light as we know it — from sun to candle to bulb. Isn’t the cartoon shorthand for a new idea a glowing bulb over the thinker’s head?
So some companies are selling the new digital lighting in forms that will fit into the prerevolutionary world, with its sockets and streetlamps — including familiar bulb shapes.
Philips is producing a bulb called Hue that fits into the old sockets and not only dims and brightens, but also changes colors on command. Mr. Crawford said that in his lamps division, 25 percent of sales income now comes from LEDs; he expects it to increase to 50 percent in two years. In 2008, that number was close to zero.
One reason adoption will speed up, Mr. Crawford believes, is that in recent years, consumers have been asked to compromise on quality to get energy savings. With the latest generation of LEDs, he said, “the consumer gets the energy savings without compromise.”
The cost barrier is getting lower. Until recently, it typically cost $30 to buy an LED that could replace a 60-watt glass incandescent bulb bought for less than a dollar. Now Cree, a semiconductor manufacturer, has 40-watt and 60-watt LED equivalents for $10 and $14.
James Highgate, an expert on the new technology who runs an annual LED industry conference, sees a transition period ahead “for the next three to five years, until the eight billion sockets in the U.S. get filled” with LEDs. “Some people will never change,” he added. “They’ll be in the alleys buying 100-watt incandescents.”
But a new poll done by the lighting company Osram Sylvania showed that fewer consumers were listing “burned out or broken” as the main reason for switching bulb formats. According to a company news release, “68 percent of Americans say they have switched lighting for increased energy efficiency.”
Energy efficiency is only the beginning, according to experts on the lighting innovations. Take communication between lights. At the University of California, Davis, a bike path illuminated at night with a “just in time” system has one light node alerting another and another down the line as a bicycle goes by, progressively lighting the rider’s way, then dimming back into an energy-saving mode.
Michael Siminovitch, director of the California Lighting Technology Center at the university, said that with the new technology “we’re going to be able to create a variety of control features in terms of how we introduce points of light in space, but we’re also going to be able to do it with planes and areas of light.” For example, he said, there could be light-generating ceilings or walls.
Engineers like Mr. Maxik at Lighting Science are now imagining cities that light their streets as needed, without benefit of lampposts. He has created a fixture that could replace the reflective medians in highways south of the snow belt. Once installed along the road’s centerline, they provide as much illumination as streetlamps. The metal and wiring that go into the streetlamp would be unnecessary.
Lighting Science has teamed up with Google to develop a light bulb — soon to be available — that is controllable with an Android phone app.
But just as it will take consumers a while to give up familiar light sockets for lights embedded in walls or ceilings, it is likely to take cities and their public works departments some time to give up their lampposts.
Recognizing this, other companies, like the newly renamed Sensity Systems (formerly Xeralux) are reimagining lampposts as nodes in a smart network that illuminate spaces, visually monitor them, sense heat and communicate with other nodes and human monitors.
In addition to such functions — which could raise privacy concerns, though perhaps less so after the Boston Marathon bombings — the new systems could sharply cut the cost of street lighting. The data could be sold to app developers who could create, say, an app to help find parking.
The idea, said the company’s chief executive, Hugh Martin, is “wherever there’s a light, there’s data being generated.”
Mr. Maxik said: “It’s the convergence of the light source, the novel controls we can apply to it and the ability to program it which makes solid-state lighting as a category unique. That becomes the enabler of the new forms and new functions.”
Many of the elements of the nascent revolution seem in place. A host of relatively new entrants — Lighting Science, Eye Lighting, Ohm Lighting and TerraLUX among them — are moving into what had been a market dominated by large, established companies like General Electric, Philips and Osram Sylvania.
In both the newer and older camps, researchers are trying to reimagine uses for light and ways of controlling it. What kinds of controls? Adjusting the intensity of a light between dim and bright, of course, has been done for decades — but not often in outdoor settings. Other options, indoors and out, include changing the frequency and color of the light, or having it pulsate — think of the multicolor displays atop the Empire State Building.
This color-changing capability has applications far beyond the theatrical. Consider sea turtle hatchlings leaving nests along the Florida coast that are led astray by bright white lights, luring them inland when they should head seaward. Lighting Science is one of several companies that offer a solution; its $29.99 amber “turtle lights” are on sale in Satellite Beach, Fla., near the most active turtle nesting area.
For the workplace, Osram Sylvania’s researchers are looking to control light to improve office productivity. As Lori Brock, director of research and innovation at the company’s technology lab in Massachusetts, said: “It optimizes the illumination for the task you’re doing. If you sat at your desk to use the computer, maybe the overhead light would dim, increasing the contrast so you could see better. Other lights could go to an energy-saving hue.” Ideally, productivity increases while energy costs decrease.
As for health applications, the Lighting Research Center of Rensselaer Polytechnic Institute has focused its research on the physiological and psychological impacts of light. This might lead to light fixtures in hotel rooms and elsewhere that enhance sleep or restore the circadian rhythms of jet-lagged travelers.
Philips’s lighting division is working on a product that allows people with psoriasis to have light treatments at home, not in the hospital. It has also introduced a blue-light-emitting poultice to relieve muscle pain by releasing the nitric oxide in the patient’s system, stimulating blood flow.
“This is where the promise is,” said Dr. Siminovitch of the U.C. Davis center. “The promise is going to be on well-being, wellness, biology — lighting starts doing something for us that is inherently different.”
Please visit FoggLighting.com and like us on Facebook. Stay up to date on lighting, the fastest changing technology for the home and workplace.

12
Mar 2013

Why Use a Lighting Designer

Why would you want to use a lighting designer to help you with your lighting? That is a question that you should consider if you are building or remodeling. There are several valid reasons to engage a lighting designer.

A lighting designer has been trained and has had experience in how a space should be lit. We have had experience both in the classroom and on the job. Lighting designers are familiar with all the different light sources and fixtures and can match them to the tasks being performed. Most of all, a lighting designer is working with you and for you to help you avoid making a mistake that you might regret later.

It is your home. You spend a lot of money on decorative accents, furniture, kitchen counters and bathroom tile. You deserve to have the lighting to enjoy all these features of your home. That is where a lighting designer provides a great value.

9
Mar 2013

Honored to be Featured

Hot of the Press.
We have been featured on Celia St. Onge’s recent blog.

Celia is owner of Celia Bedilia an interior design firm. Celia is a wonderful designer who creates beautiful spaces. We are proud to be able to work with Celia. Be sure to visit Celia’s Blog.

Please visit my website when you have a chance.